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DOI:
https://doi.org/10.52200/62.A.0990J5PIKeywords:
Modern Movement, Modern architecture, Modern housingAbstract
The Spanish Pantheon in the Campo di Verano was entrusted to three resident artists at the Academy of Spain in Rome in 1957: architects José María García de Paredes (1924-1990) and Javier Carvajal (1926-2013) and sculptor Joaquín García Donaire (1926-2003). They proposed an open space devoid of religious symbols apart from the chapels around it. This work explores a new direction that moves away from the usual funerary monument: a symbolic space composed of two planes in equilibrium laid out on a smooth platform where there is no distinction between sculpture and architecture. This place is for those who take time to pause here, a permanent abode, to spend time with the absent and the present.
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Copyright (c) 2020 Ángela García de Paredes
This work is licensed under a Creative Commons Attribution 4.0 International License.
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References
FERRARI, Enrique Lafuente, Pintores y Arquitectos Pensionados en Roma, 1955-1959, Círculo de Bellas Artes de Madrid, 1959.
FLORES, Carlos, Contemporary Spanish Architecture, Madrid, Aguilar, 1961, 378-381.
LUCAS, Juan Ramírez de, “Aquí yace Jorge Ruiz de Santayana”, Diario Arriba, 10th May 1959.
LUCAS, Juan Ramírez de, “En el Janículo se crea en español”, El Español, No. 482, 23rd February 1958.
MARQUÉS DE LOZOYA, “Nuevo Panteón de los Españoles en Roma. Arquitectura y escultura españolas en este monumento, donde, entre otros, reposa Santayana”, ABC, 13th March 1957.
MARQUÉS DE LOZOYA, “Architettura e scultura”, L´Osservatore Romano, 11-12, November 1957.
PAREDES, José García de, “Escultura en hormigón en el Panteón de los españoles en un cementerio romano”, Cemento y Hormigón, No. 307, Barcelona, October 1959, 633-635.