Neidhardt’s concept of tree branches that grow out from the old part of the city into new microcosm developments. Sketches from his letter to Dušan Grabrijan in which he explains his 1937 competition entry for Novi Sad. © Tatjana Neidhardt, 2024. Karlić-Kapetanović, 1990, p. 89.
How Radical Exactly?

Re-examining Neidhardt’s 1937-41 Plans for Novi Sad

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DOI:

https://doi.org/10.52200/docomomo.72.09

Keywords:

Novi Sad, Urban planning, Juraj Neidhardt, Brazilian modernism, Modernization

Abstract

The international competition for the new regulation plan of Novi Sad was held in 1937, in which Juraj Neidhardt’s design was awarded compensation instead of a prize. However, upon further consideration, the city administration decided to adopt a new version of Neidhardt’s plan in the following years. In addition to this plan, he won the administration’s trust to design a series of lower-level plans for the city in 1938-1941. Therefore, Neidhardt became the most prominent figure in the urban planning process triggered by the 1937 competition. However, his final regulation plan for the city from 1941 was rejected in the first post-war revision in 1945, failing to lead to any fruition. Nevertheless, the researchers later characterized the radical modernist approach of this plan as the inspiration for the subsequent general plans of Novi Sad, namely due to introducing the idea of cutting new axes through the urban tissue. There is room today, however, to re-evaluate these claims about the radicalness of Neidhardt’s plan since its solutions were deemed insufficient in bringing radical quality to the urban space of Novi Sad. Furthermore, in the 1938-1941 period, he designed a series of perspective drawings for the new regulation of the streets in the oldest urban core of the city, which brought a decisively modernist approach to treating the urban heritage: keeping only a selection of the most iconic monuments while replacing the rest of it with new modernist structures. These designs can contribute to reinstate the knowledge about Neidhardt’s approach to treating historical heritage, considering his later intricate studies of Bosnian and Macedonian architectural landscapes.

How to Cite

Bede, A., Konstantinović, D., & Jović, S. (2024). How Radical Exactly? Re-examining Neidhardt’s 1937-41 Plans for Novi Sad. Docomomo Journal, (72), 73–80. https://doi.org/10.52200/docomomo.72.09

Published

2024-12-07

Plaudit

Author Biographies

Aleksandar Bede

is a practicing architect from Novi Sad, Serbia, who holds a PhD in urbanism from the IUAV University of Venice. He is the author of several publications about local architectural and modernist heritage and has been involved in various research and curatorial projects on that subject for a long time, either locally or at international residences, such as Akademie Schloss Solitude in Stuttgart (2013). He is active in professional organizations in Serbia and local independent urban planning initiatives in Novi Sad. He is one of the editors of DaNS | Magazine for Architecture and Urban Planning.

Dragana Konstantinović, University of Novi Sad

is an architect, PhD, and a professor at the Department of Architecture and Urban Planning at the Faculty of Technical Sciences in Novi Sad. She has been active in teaching since 2007 in architectural design, history, and theory. She co-authored several publications, including Concepts, programs, and functions of Pavilion Structures (in Serbian, 2017), and co-edited architectural journals and magazines since 2011, including DaNS|Magazine for Architecture and Urban Planning. She participated in various artistic, architectural, scientific, and curatorial projects that regard modernist heritage, locally and internationally.

Slobodan Jović, University of Novi Sad

is a practicing architect from Novi Sad and a teaching assistant at the Department of Architecture and Urban Planning at the Faculty of Technical Sciences in Novi Sad, where he is also a doctoral candidate. He served as the President of the Association of Architects of Novi Sad (DaNS) from 2016-2020. He is the author and curator of several multimedia projects and two books about the local modernist heritage. He served as the Commissioner of the Pavilion of Serbia at the 17th and 18th Venice Architecture Biennale in 2021 and 2023.

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