The “Kharchosmak” club, 1927, architect O. Linetskiy. © Kharkiv City Archive.
Public Buildings in the Architecture of Ukrainian Modernism

Workers’ Clubs

Authors

Downloads

DOI:

https://doi.org/10.52200/docomomo.70.06

Keywords:

Ukrainian modernism, public buildings, avant-garde architecture, Kharkiv workers’ clubs

Abstract

Among the avant-garde monuments preserved in Kharkiv and creating its unique architectural character, the buildings of workers’ clubs occupy a special place. The construction of buildings with such a function began in Kharkiv at the beginning of the 20th century, but after the October Revolution, workers’ clubs became almost the main symbol of the era, because they symbolized the desire for a new life and the creation of a new person. In the works of avant-garde architects, the club became a favorite design theme. During the architectural competitions of the early and mid-1920s, a typology of club buildings was compiled and original compositional and artistic solutions formed, which reflected a creative discussion about the development of Ukrainian architecture: the struggle against the revival of baroque trends ended with the victory of a new direction — Modernism. The architecture of Kharkiv workers’clubs in the 1920s and 1930s reflects the development trends of Ukrainian modernism, but it has its own characteristics related to both regional features and the individuality of the masters who took part in their design. Kharkiv’s clubs reflect the diversity of views of, and approaches to, form-giving by architects with different views and experience, whose buildings constitute a unique architectural heritage. The purpose of this study is to identify the characteristic features of Kharkiv workers’ clubs and determine their place in the general picture of Ukrainian modern architecture for the further development of a program for their preservation. The research uses the methods of historical-architectural, functional-structural and stylistic analysis, which includes traditional general scientific approaches. The material collected, analyzed and systematized in this article can be used for further scientific research in the field of the development of historic architecture, for the implementation of project proposals for the restoration and conservation of individual monuments, and in education.

How to Cite

Deriabina, O., Pominchuk, M., & Konoplova , O. (2024). Public Buildings in the Architecture of Ukrainian Modernism: Workers’ Clubs. Docomomo Journal, (70), 44–50. https://doi.org/10.52200/docomomo.70.06

Published

2024-04-15

Plaudit

Author Biographies

Olha Deriabina, Docomomo Ukraine

was born in Ukraine in 1982. PhD in Architecture (Theory of Architecture, Restoration of Architectural Monuments — February, 2014), of the Architecture and Urban Planning Department, Khmelnytskyi National University. Author of over the 35 scientific publications (among them there are articles published in the databases Copernicus and Scopus). The member of the Ukrainian Organizing Committee of the International conferences of the Ukrainian DOCOMOMO Chapter. Scientific interests: theory of architecture, restoration of architectural monuments, shaping, Avant-Garde Architecture, Architecture of the XX–XXI century.

Marina Pominchuk, O.M. Beketov National University of Urban Economy in Kharkiv

was born in Ukraine in 1981. PhD in Architecture (Theory of Architecture, Restoration of Architectural Monuments — February, 2020), associate Professor of the Architecture Fundamentals Department, O.M. Beketov National University of Urban Economy in Kharkiv. Author of over the 14 scientific publications (among them there are articles published in the databases Copernicus). Scientific interests: theory of architecture, architectural and urbanistic consulting, Architecture of the XX–XXI century.

Olena Konoplova , Khmelnytskyi National University

was born in Ukraine in 1952. PhD in Architecture (Theory of Architecture, Restoration of Architectural Monuments — April, 2003), associate Professor of the Architecture and Urban Planning Department, Khmelnytskyi National University. Author of over the 50 scientific publications (among them there are articles published in the databases Copernicus). The member of the Ukrainian Organizing Committee of the International conferences of the Ukrainian DOCOMOMO Chapter. Scientific interests: theory of architecture, creative activity of architect, shaping, Architecture of the XX–XXI century.

References

ALEKSANDROV, P. A. (1971). Ivan Leonidov. Izdatelstvo literatury po stroitelstvu.

ASTAFIEVA-DLUGACH, M.I., & VOLCHOK, Y.P. (1989). About the competition for the Palace of Soviets. Zodchestvo–3 (22), 222–238.

BOURYAK A. P., & KREIZER I. I. (2000). Between Constructivism and Art Deco. Method and style in the architecture of Kharkiv in the 20s and 30s. A.S.S. No. 3, 100–103.

BOURYAK, А., DIDENKO, C., & DERIABINA, O. (2009). Clubs for People in Kharkov, Ukraine. ARCHITECTURE DE LA CULTURE. RELAIS DU POUVOIR EUROPEEN, Siècle/2, 54–58.

CHERKASOVA E. T. Architectural heritage of Kharkiv of the era of the Soviet avant-garde as a historical area. Traditions and innovations in higher architectural and artistic education [under general editorship N. E. Tregub]. A special issue based on the materials of the International Scientific and Practical Conference “Constructivism in Ukraine” dedicated to the celebration of the 75th anniversary of Derzhprom. KhDADM, No. 6/2005.

COHEN, J.-L., LODDER, C., PARE, R., & AMETOV, M. (2011). Building the Revolution: Soviet Art and Architecture 1915–1935. London: Royal Academy Books

DERIABINA, O., & POMINCHUK, M. (2020). Forms of design activity organization in 1917–1930s in the USSR. Bulletin of Prydniprovs’ka State Academy of Civil Engineering and Architecture, 1 (261–262), 38–43. DOI: 10.30838/J.BPSACEA.2312.260220.38.608

DERYABINA O. A. (2013). Avant-garde Concept of shaping in Architecture of buildings of clubs in Kharkov in the 1920-s – 1930-s [PhD dissertation, Kharkiv National University of Civil Engineering and Architecture].

GAN, A. (1922). Constructivism. Tver’.

GINZBURG, M. YA. (1924). Style and epoch. Publishing house Academy of Sciences of the USSR.

GOLOSOV, I. A. (1933). About the big architectural form. Architecture of the USSR, No. 5.

KHAN-MAGOMEDOV, S. O. (1966). Clubs today and yesterday. Decorative Art of the USSR, No. 9.

KHAN-MAGOMEDOV, S. O. (1967). Leonidov’s clubs. Decorative Art of the USSR. No. 11.

KHAN-MAHOMEDOV, S. O. (2001). The architecture of the Soviet avant-garde. Vol. 2. Social problems. Stroyyzdat.

KHAZANOVA, V.E. (2000) Club life and club architecture (1917–1941). Giraffe

KONOPLYOVA, O., & DERIABINA, O. (2019). Cultural and historical context of genesis and formation of Modernism architecture. Znanstvena misel journal, 34, vol. 1, 11–14

KONOPLYOVA, O., & DERIABINA, O. (2020, February 5–7). Constructivism as a direction in architecture at the beginning of the XX century [Conference session]. Scientific Achievements of Modern Society, Liverpool, United Kingdom. https://sci-conf.com.ua/wp-content/uploads/2020/02/scientific-achievements-of-modern-society-5-7.02.20.pdf

LADOVSKIY, N. A. (1926). Basic principles of building theory of architecture. ASNOVA

LAHUTIN, K. K. (1953). Architectural image of Soviet public buildings: Clubs and Theaters. Mystetstvo.

LAVRENTIEV, A. N. (2010). Alexey Gan. Fund Russian Avant-Garde.

LEONIDOV, I. (1930). Palace of Culture: Towards a discussion about palaces of culture. Modern architecture. No. 5, 1–5

MYLASHEVSKAYA, E.K. (1970). Clubs. Stroyizdat.

RYABUSHIN, A. V., & SHISHKINA, I. V. (1984). Soviet architecture. Stroyizdat

RYCHKOV, P. (2008). Kharkov as a capital of Soviet-Ukrainian modernism. TEKA komisji architektury, Urbanistyki i studiow krajobrazowych. Lublin: Polska Akademia Nauk, Oddzial w Lublinie. https://www.pan-ol.lublin.pl/wydawnictwa/TArch4a/Rychkov.pdf

SBITNEVA, N. F. (2003). Characteristics of the Evolution of Soviet Packaging in the 1930s. Utilitarian and Artistic Aspects [PhD dissertation, Kharkiv State Academy of Design and Arts]

TURCHINSKA, E. YU. (2011). Avant-Garde in the Far East: «Green Cat», Burliuk and others. Aleteyya

YASIEVICH, V. E. (1988). Architecture of Ukraine at the turn of the 19th–20th centuries. Budivelnik