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https://doi.org/10.52200/64.A.O232XY07Keywords:
Modern Movement, Modern architecture, Modern housingAbstract
Between 1963 and 1966 Emilio Duhart (1917-2006) worked on the design of this single-family house in what used to be the outskirts of Santiago. During this period, a series of younger collaborators worked on the project, transforming it continuously. Now, confronted with the task of refurbishing the house, we trace back and try to understand the project development by researching archival material. However, it is the process of physically dismantling damaged fabric – almost everything, besides the concrete structure – that really reveals the main principles behind the whole design process. A silent dialogue with architects already gone, which provides the guidelines to write just another chapter in the life of this structure.
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Copyright (c) 2021 Alejandro Beals, Loreto Lyon
This work is licensed under a Creative Commons Attribution 4.0 International License.
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References
BENJAMIN, Walter, LACIS, Asja, “Naples”, in Walter Benjamin, Reflections: Essays, Aphorisms, Autobiographical Writings, New York, Schoken Books, 1978, 163-173.
CARALT, David; ESPARZA, Verónica, “The awareness of tradition and the creative process: Emilio Duhart and the comparative method as a tool for architecture projects”, Dearq. Revista de Arquitectura, No. 22, Bogotá, Universidad de los Andes, June 2018, 58-69.
ESPARZA, Verónica, Emilio Duhart Harosteguy, Un arquitecto integral 1935-1992, PhD Thesis, ETSA Barcelona, UPC, 2015.
MONTEALEGRE, Alberto, Emilio Duhart Arquitecto, Santiago, Ediciones AR Q, 1994.
TORRENT, Horacio, “Reuse and Transformation of a Modern Movement Masterpiece: UN-CEPA LECLAC Building”, docomomo Journal 52 – “Reuse, Renovation and Restoration”, Lisboa, docomomo International, 2015, 60-71.