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DOI:
https://doi.org/10.52200/60.A.MNMURC5AKeywords:
Modern Movement, Modern architecture, Modern housingAbstract
The bouquet of stories related to E.1027, the house built 1926–1929 by the Irish architect and furniture designer Eileen Gray with the support of Jean Badovici, is colorful and intriguing. In “E.1027: Murder and Mystery of the Camera”, gems on the history of the house, new research material and previously unpublished facts related to E.1027 are revealed. Above all, the search for an answer to the question “Which photo camera was used to take the original pictures of E.1027”.
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Copyright (c) 2019 Christian Müller
This work is licensed under a Creative Commons Attribution 4.0 International License.
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References
HECKER, Stefan & MÜLLER, Christian, archithese 4-91, “Eileen Gray”, CH-Heiden, Arthur Niggli Verlag, 1991.
HECKER, Stefan & MÜLLER, Christian, Eileen Gray Works and Projects, Barcelona, Editorial Gustavo Gili S.A., 1993.
HECKER, Stefan & MÜLLER, Christian, “A virtual image of modernity”, docomomo International No. 14, Eindhoven 1995, 61–64.
HECKER, Stefan & MÜLLER, Christian, “Eine virtuelle Rekonstruktion des Maison en Bord de Mer”, in Caroline Constant & Wilfried Wang, Eileen Gray, Eine Architektur für alle Sinne, D-Tübingen, Wasmuth Verlag, 1996, 118–127.
HECKER, Stefan & MÜLLER, Christian, “Virtual reality and conservation. Eileen Gray’s Maison en Bord de Mer”, ARCHIS 6/1996, Rotterdam, Misset uitgeverij bv, 1996, 37–41.
HECKER, Stefan & MÜLLER, Christian, “Villa E-1027 Roquebrune digitalised”, in Allen Cunningham, Modern Movement Heritage, London, E & FN SPON, 1998, 159–162.