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DOI:
https://doi.org/10.52200/63.A.4X21D76SKeywords:
Modern Movement, Modern architecture, Modern housingAbstract
An examination of the architectural value of the Japanese Embassy in Mexico, designed by Kenzo Tange, Pedro Ramírez Vázquez and Manuel Rosen Morrison, which is in danger of being demolished. The context of mid-century Mexican architecture is addressed in order to situate this work within its historic moment, thus confirming its importance. This building was the result of an intellectual encounter between one Japanese and two Mexican architects, who exchanged ideas, concepts and criteria, resulting in a building with an innovative formal design, due to the use of reinforced concrete, and the flexibility of its structural concept, which allows it to be adapted to different uses. This article is essentially based on the archive of the architect Manuel Rosen Morrison, held by the Archive of Mexican Architects at the National Autonomous University of Mexico’s Faculty of Architecture.
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Copyright (c) 2020 Lourdes Cruz
This work is licensed under a Creative Commons Attribution 4.0 International License.
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References
BONIFAZ V., Alberto, “Un proyecto notable: la Embajada de Japón,” in Construcción Mexicana, Vol. 15, No. 13, Mexico, June 1975, 12-25.
ROSEN MORRISON, Manuel, “Embajada de Japón… ‘Un edificio que canta,’” Construnoticias, No. 144, Mexico, January 1976, 73-77.
KUAN, Seng, LIPPIT, Yukio (eds.), Kenzo Tange. Architecture for the world, London, Harvard University Graduate School of Design, Lars Müller Publishers, 2012.
NOELLE, Louise, Arquitectos Contemporáneos de México, Mexico, Editorial Trillas, 1989.
PORRÚA, Miguel Ángel (ed.), Arquitectura/Pedro Ramírez Vázquez, Mexico, 2013.
ROSEN MORRISON, Manuel, Manuel Rosen Morrison. Arquitectura, Mexico, Editorial Limusa, 2005.
VARGAS SALGUERO, Ramón, Pabellones y museos de Pedro Ramírez Vázquez, Mexico, Noriega-Limusa, 1995.