Downloads
DOI:
https://doi.org/10.52200/54.A.E67IEWH0Keywords:
Modern Movement, Modern architecture, Modern housingAbstract
In 1935, Alberto Sartoris transformed an old mill into a private club for artists: le Cercle de l’Ermitage. The young architect conceptualized the space as a manifesto of rationalistic architecture. The resolutely modernist choice of the intervention contrasted with the rural and bucolic existing building. In 1971, the work disappeared under fake rustic decoration and everybody considered it lost, only remaining one of the most famous axonometries of the Italian master. Forty-five years later, the work reappears miraculously while the space is under transformation into a private residence. The demolition work has revealed an unexpected amount of original elements, which will allow a faithful and rigorous restoration of the Cercle de l’Ermitage.
How to Cite
Published
Issue
Section
License
Copyright (c) 2016 Jean-Christophe Dunant
This work is licensed under a Creative Commons Attribution 4.0 International License.
Plaudit
References
Archives de la Construction Moderne — Ecole Polytechnique Fédérale de Lausanne, Fonds Alberto Sartoris.
COLLET, Cécile, “Le Cercle de l'Ermitage vivra enfin”, 24 heures, 30 march 2013, 25.
COLLET, Cécile, “Un lieu oublié est classé grâce à sa restauration”, 24 heures, 16 october 2015, 21.
STECH, Adam, “Radical rebirth”, Wallpaper No. 189, December 2014, 145
DUNANT Jean-Christophe, “Alberto Sartoris, Cercle de l'Ermitage, Epesses”, Patrimonial No. 1, 2015, 102–107
SHAND Morton, “The Cercle de l'Ermitage at Epesses, Canton de Vaud, Switzerland”, The Architectural Review, No. 14, april 1936, 181–184.
GUBLER, Jaques, Abriani Alberto, Alberto Sartoris. Dall’autobiografia alla critica, Milano, Electa, 1990.
NAVARRO, Maria Isabel, “Alberto Sartoris 1901- 1998. La concepcion poetica de la arquitectura”, cat. expo IVAM, Valencia, 2000.
ARBOIT, Stephanie, “Une vision renaît”, 24 heures, 21 june 2014, 23–27.